Digital Humanities in Early Music Research III./2
A series of conferences and workshops focusing on the use of digital humanities in early music research.
The series is open to the public free of charge.
Session III – Digital Editions: why, what & how
5–12 October 2020
Monday October 5th, 4–5 p.m.,
Tuesday October 6th, 4–6 p.m.
Monday October 12th, 4–5 p.m.
online sessions via Zoom
The session will focus on how the various digital tools that we as musicologists have at our disposal are brought together to create digital editions, and how new knowledge can be extracted from the encoded data. We are pleased to announce that this time we will have speakers from the Corpus Monodicum (CM) project and THesaurus Musicarum Germanicarum (TMG) project.
Monday October 6th
4 PM Central European Time / 16:00 CET
Corpus monodicum – Infrastructure and workflows of a large scale digital edition project
Tim Eipert (Uni Würzburg)
As a digital project, Corpus monodicum is concerned with creaJng a digital workflow; this includes planning and
implemenJng socware that is suited to transcribe and edit special notaJon and developing the underlying data
structure, considering both the standards of MEI and the needs of individual cases. The presentaJon gives an
overview of the data pipeline, both the manual and (semi)automaJc transcripJon interfaces and possible forms of
interacJon with the digital edited chants.
As with session II, there is a registration form:
If you wish to be at the workshop, please fill in the form and we will send the Zoom meeting link to the e-mail address you give us there. Registration is open up until October 1st. Since virtual meetings will most likely not be subject to participant limits due to epidemiological concerns, please do not hesitate to circulate this invitation among your colleagues, students, and anyone who might also be interested!
Další informace bude možno v následujících dnech najít na webových stránkách projektu "Staré mýty, nová fakta" (www.smnf.cz).